VITA

Marta-Laura Cenedese ist Postdoktorandin des UKRI (MSCA-Garantie) am Institute for Medical Humanities der Durham University. Sie studierte an der Universität Venedig Ca‘ Foscari und Sciences-Po Paris, bevor sie in Französisch und Vergleichender Literaturwissenschaft an der Universität Cambridge promovierte. Marta ist Literaturwissenschaftlerin und spezialisiert auf postkoloniale Literaturen, Gedächtnisstudien, kritische Medical Humanities, queere Todesstudien und dekolonialen Feminismus. Ihre Forschungsergebnisse wurden in Comparative Literature, Storyworlds, Thanatos, Journal of Medical Humanities, Modern and Contemporary France und anderswo veröffentlicht. Sie ist Autorin von Irène Némirovsky’s Russian Influences: Tolstoy, Dostoevsky and Chekhov (2021);

Herausgeberin von Written on the Body: Narrative (Re)constructions of Violence(s) (2023);

und Mitherausgeberin (mit Clio Nicastro) von Violence, Care, Cure: Self/Perceptions within the Medical Encounter (im Druck). Sie war Mitorganisatorin der SELMA Medical Humanities Seminar Series und Koordinatorin des Studienkreises „Narrative and Violence“ (Nordic Summer University, 2020–2022). Sie ist Mitglied des Redaktionsausschusses von Storyworlds. A Journal of Narrative Studies (University of Nebraska Press). Marta war Gastwissenschaftlerin am Dahlem Humanities Center der Humboldt-Universität zu Berlin (2020) und am Centre d’Histoire, Sciences-Po Paris (2023).;

Marta-Laura Cenedese est boursière postdoctorale UKRI (Garantie pour les MSCA) à l'Institute for Medical Humanities de l'Université de Durham. Elle a étudié à l'Université de Venise Ca' Foscari et à Sciences-Po Paris avant de terminer un doctorat en littérature française et comparée à l'Université de Cambridge. Marta est une chercheuse interdisciplinaire dont les recherches portent sur les littératures postcoloniales, les études de mémoire culturelle, les humanités médicales (critical medical humanities), les études sur la mort (queer death studies) et le féminisme décolonial. Ses recherches ont été publiées dans Comparative Literature, Storyworlds, Thanatos, Journal of Medical Humanities, Modern and Contemporary France, et ailleurs. Elle est l’autrice de la monographie Irène Némirovsky's Russian Influences : Tolstoï, Dostoïevski et Tchekhov (2021) ;

ella a dirigé l'ouvrage Written on the Body : Narrative (Re)constructions of Violence(s) (2023) ;

et co-dirigé (avec Clio Nicastro) le volume Violence, Care, Cure: Self/Perceptions Within the Medical Encounter (à paraître). Marta a été co-organisatrice de la série de séminaires SELMA Medical Humanities et coordinatrice du cercle d'étude "Narrative and Violence" (Nordic Summer University, 2020-2022). Elle fait partie du comité de rédaction de Storyworlds. A Journal of Narrative Studies (University of Nebraska Press). Marta a été chercheuse en mobilité au Dahlem Humanities Center, Humboldt University Berlin (2020) et au Centre d’Histoire, Sciences-Po Paris (2023).;

Marta-Laura Cenedese is UKRI (MSCA Guarantee) Postdoctoral Fellow at the Institute for Medical Humanities at Durham University. She studied at the University of Venice Ca’ Foscari and Sciences-Po Paris before completing a PhD in French and comparative literature at the University of Cambridge. Marta is a literary scholar specialising in postcolonial literatures, memory studies, critical medical humanities, queer death studies, and decolonial feminism. Her research has been published in Comparative Literature, Storyworlds, Thanatos, Journal of Medical Humanities, Modern and Contemporary France, and elsewhere. She is the author of Irène Némirovsky’s Russian Influences: Tolstoy, Dostoevsky and Chekhov (2021);

editor of Written on the Body: Narrative (Re)constructions of Violence(s) (2023);

and co-editor (with Clio Nicastro) of Violence, Care, Cure: Self/Perceptions within the Medical Encounter (in press). She was the co-convenor of the SELMA Medical Humanities Seminar Series and coordinator of the study circle ‘Narrative and Violence’ (Nordic Summer University, 2020–2022). She is on the editorial board of Storyworlds. A Journal of Narrative Studies (University of Nebraska Press). Marta has been a visiting fellow at the Dahlem Humanities Center, Humboldt University Berlin (2020) and at the Centre d’Histoire, Sciences-Po Paris (2023).

Mutterinstitut:

Durham University

Forschung

Publikationen

Cenedese, Marta-Laura and Clio Nicastro (eds). [In press.] Violence, Care, Cure: Self/perceptions within the Medical Encounter. London, New York: Routledge 

Cenedese, Marta-Laura. 2024. ‘The Other Side of Abortion: The Doctor-Writer in Martin Winckler’s La Vacation (1989).’ D. Carlini-Versini (ed.), ‘L’avortement dans la littérature et les arts français contemporains.’ Modern and Contemporary France 33:4 https://doi.org/10.1080/09639489.2024.2302812

Cheston, Katherine A., Marta-Laura Cenedese, Angela Woods. 2023. ‘The Long or the Post of it? Temporality, Suffering and Uncertainty in Narratives following Covid-19.’ K. Zeiler, A. Bredström and S. Morberg Jämterud (eds), ‘Medical Humanities and Covid/Post-Covid Challenges.’ Journal of Medical Humanities https://doi.org/10.1007/s10912-023-09824-y

Cenedese, Marta-Laura. 2023. ‘Gendered Cyberviolence in Myriam Leroy’s Les Yeux rouges (2019): Community, Agency, and Politics.’ Storyworlds: A Journal of Narrative Studies 13:1 (2021), 117– 146

Cenedese, Marta-Laura and Miłosz Wojtyna (eds). 2023. ‘Making Sense of Violence in the Digital Age.’ Storyworlds: A Journal Of Narrative Studies 13.1 (2021), viii–xii

Cenedese, Marta-Laura. 2023. ‘Reimagining Irène Némirovsky’s Suite française: Circulation, Postmemory, and Reparative Reading.’ M. Gamper, J. Müller-Tamm, D. Wachter, J. Wrobel (eds), Der Wert der literarischen Zirkulation/The Value of Literary Circulation. Berlin: J. B. Metzler, pp. 115–132 https://link.springer.com/chapter/10.1007/978-3-662-65544-3_8

Cenedese, Marta-Laura. 2023. ‘Reflections on the Feminist Archive: The Case of the Bibliothèque Marguerite Durand.’ S. Myrebøe, V. Pàlma∂òttir and J. Sjöstedt (eds), Feminist Philosophy: Time, History and the Transformation of Thought. Stockholm: Södertörns högskola, pp. 127–144 https://sh.diva-portal.org/smash/get/diva2:1762191/FULLTEXT01.pdf

Cenedese, Marta-Laura (ed.). 2023. Written on the Body: Narrative (Re)Constructions of Violence(s). Berlin: Logos Verlag (ISBN: 978-3-8325-5285-5) https://www.logos-verlag.de/cgi-bin/engbuchmid?isbn=5285&lng=eng&id=

Cenedese, Marta-Laura. 2021. ‘Home and Exile in Irène Némirovsky’s Novella Les Mouches d’automne’. Open Philosophy 4, 211–223 https://www.degruyter.com/document/doi/10.1515/opphil-2020-0172/html

Cenedese, Marta-Laura. 2021. Irène Némirovsky’s Russian Influences: Tolstoy, Dostoevsky and Chekhov. London: Palgrave Macmillan (ISBN: 978-3-030-44202-6)

Saramo, Samira and Marta-Laura Cenedese (eds). 2020. ‘Connective Histories of Death.’ Thanatos 9:2 (pp. 161, 6 peer-reviewed articles + introduction) https://thanatosjournal.files.wordpress.com/2021/01/thanatos-2-2020-final.pdf

Cenedese, Marta-Laura. 2018. ‘(Instrumental) Narratives of Postcolonial Rememory: Intersectionality and Multidirectional Memory.’ Storyworlds. A Journal of Narrative Studies 10:1–2, pp. 95–116

Cenedese, Marta. 2018. ‘Finding Home, a Multimodal Narrative of Syrian Refugees’ Everyday Life.’ entanglements, 2(1), pp. 89–96 https://entanglementsjournal.org/finding-home-a-multimodal-narrative-of-syrian-refugees-everyday-life/