Dr. Julio Velasco | Assoziierter Forscher

Mobilität, Migration und räumliche Neuordnung
Centre Marc Bloch, Friedrichstraße 191, D-10117 Berlin
E-Mail: juliovelasco  ( at )  hotmail.fr Tel: +49(0) 30 / 20 93 70700

Position : Chercheur Associé | Fachbereich : Ästhetik , Kulturwissenschaften |

Lebenslauf als Datei
Stipendium

DAAD scholarship in the programme Research Grants

 

Centre Marc Bloch de Berlin

 

Forschungsthema

The city of Berlin would represent the paradox, difficult to explain from a liberal perspective, of being an important city of art while it is placed on the fringes of the art market. This research on the visual arts in Berlin since the reunification questions this paradox starting from the artistic dynamics, taken in their context, to determine how they confirm, contradict or give new directions to debates and theories on the global social evolution of the Western world since the collapse of the communist system.

 

The project also seeks to establish in what extent the artistic work has been conditioned by the global movements of reunified German society and, conversely, what specificities have determined the evolution of the art world. It tries as well to check whether and how the art development differs from other economic and intellectual activities.

 

Indeed, art in Berlin after the reunification had to assimilate two conflicting plastic traditions: on the one hand a tradition governed (but not monopolized) by the market and the oppositions that the market generates and, on the other hand, a tradition that considers art as a collective ideological tool under the global (but not total) control of the state and, in turn, the oppositions against this orientation. This research attempts to define the artistic forms that this confrontation generated and to understand how and why these artistic forms imposed themselves to the detriment of other possible plastic responses. In this way, this work helps to better grasp the divergences and convergences between these evolutions and the pre-existing traditions, as well as to establish which tendencies have disappeared and which have continued to survive in an underlying way.

 

The richness of the project requires a transdisciplinary and comparative methodology, as well as a thorough knowledge of the realities of contemporary art and its "organization". The first part of this survey analysed the topographical aspects and the evolutions that art and artists have provoked in reunified Berlin. The second and last part of this research should focus on the artistic events that have taken place in Berlin since the reunification. It will also analyse the works presented in these events, their evolutions, as well as the conditions of presentation, the participants and the organizers of these different activities during the last 30 years, by taking some reference dates inside this period.

 

Titel der Dissertation

The artist as a strategist. Topography of contemporay art in Paris at the beginning of the 21st century

Zusammenfassung der Dissertation

This work is about the question of art territories, but not for their repercussions on their neighbourhood, but for their contribution to the plastic creation itself. In the first part, the terms of the research are defined: the word "strategy"; the "art districts" according to their use; the "people of art". The second part presents, in addition to a historical synthesis, six territories of contemporary art: Faubourg Saint-Denis (Paris), which is the backbone of this work, Macarena (Bogota), San Telmo (Buenos Aires), Belleville (Paris), the Red Hook (New York) and the city of Berlin. The third part analyses the individual work of seven contemporary art personalities who lived in Faubourg Saint-Denis since 2000: Nathalie Heinich, Nicolas Bourriaud, Jean-Philippe Antoine, Thomas Hirschhorn, Esther Shalev-Gerz, Pierre Huyghe and Olga Kisseleva. The last part links this research with the work of its author. The conclusion highlights a series of hypotheses emerging from this study: places of art as an instrument of identification of the different groups working in art; the notion of "debate" as a form of strategy, with an internal level (who participates and in what capacity) and a global level (the role of art in society); artists considered not as a socio-professional category, but as "products" of every social group; art as a form of participation in a common territory more than as a self space.

Institution der Dissertation

Laboratoire d'Art et Sciences, Université de Paris 1- Panthéon Sorbonne

Betreuer

Olga Kisseleva

Projekte

- Berlin, a city that creates artists. Practical function and symbolic function of a territory in contemporary art creation. http://julio-velasco.eu/006ReseBerlin.html

- The memory of plants and "La Expedición botánica" in Colombia (1783-1816).

http://julio-velasco.eu/001InProgExpB.html

- Beauty and Technology.

http://julio-velasco.eu/006ReseBeauty.html

- Nationalisms in Latin American contemporary art.

http://julio-velasco.eu/006ReseLatinAmer.html

- Neukölln : "Art Quarter / Immigrant Quarter".

http://julio-velasco.eu/001InProgNeuk.html

L'Artiste comme stratège. Topographie et création plastique contemporaine

18.März 2021

Julio Velasco

Edition: CTHS
Collection: Orientations et méthodes
ISBN: 978-2-7355-0925-6

Issu d’une enquête transdisciplinaire, ce livre s’intéresse aux territoires d’art sous l’angle de leurs rapports avec la production artistique et des transformations qu’ils favorisent à l’in- térieur de celle-ci.
Après une étude historique dédiée à ce type de lieux, six territoires d’art contemporains, dans cinq villes différentes, sont analysés. L’auteur explore ensuite le travail plastique ou théorique de sept personnalités de premier ordre liées à l’art contemporain, ayant habité le quartier du faubourg Saint-Denis, à Paris, au xxie siècle.
Les comparaisons entre l’ensemble des quar- tiers et le groupe des personnalités de l’art permettent de relever des éléments d’une stra- tégie collective et d’identifier, entre eux, des caractéristiques communes. Le rôle fondamental joué par ces territoires, dans la formation d’une identité artistique comme dans la construction de l’autonomie du champ de l’art contemporain, est ainsi mis en lumière.


Publikationen

- L'artiste comme stratège. Topographie de l ’art contemporain à Paris au début du XXIe siècle.

Currently being published at the CTHS editions.

- "L’image des artistes et des acteurs de l’art contemporain à travers leurs quartiers" in Art collaboratif et territoire,

Editions de la Sorbonne, Paris, 2018.

- "La « Double vie » ou Portrait de l’artiste" in Du travail collectif à l’oeuvre, sous la dir. Olga Kisseleva,

Nouvelles éditions Place, Paris 2017.

- "El ruido del agua" in Ecología desde el arte digital, sous la dir. Luis Germán

Rodríguez Leal et Felipe César Londoño López, Publication Fundación

Telefonica, 2015. http://www.fundacion.telefonica.com.ve/publicaciones

- “Art, société et biodiversité”, in {plastik} n° 4, 2014. http://art-science.univparis1.

fr//document.php?id=931

- "Art et « gentrification »", in Actes du colloque Tours 2012, Paris 2014.

http://cths.fr/ed/edition.php?id=6814